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  1. Contemporary Images on "Dis Six" at Touchstone Gallery
    5/10/2012
  2. Steve on "Dis Six" at Touchstone Gallery
    5/10/2012
  3. Contemporary Images on Out and Away Outstanding
    4/28/2012
  4. fred tarr on Out and Away Outstanding
    4/28/2012
  5. Contemporary Images on Curating "Outliers"
    4/25/2012
  6. jerry on Curating "Outliers"
    4/25/2012
  7. Contemporary Images on Curating "Outliers"
    4/25/2012
  8. virginia Selogy on Curating "Outliers"
    4/25/2012
  9. Rosemary Luckett on Creative Juice Behind "Outliers" Exhibit
    4/23/2012
  10. Contemporary Images on Being Comfortable in the Studio
    4/23/2012
CONTEMPORARY-IMAGES.COM

"Dis Six" at Touchstone Gallery



Dis Six (right) with artist Leslie Nolan

Throughout May 2012 my painting Dis Six, 48" x 48" acrylic on canvas, is on exhibit at Washington, DC's Touchstone Gallery.  The opening reception last week was a blast. If you're in the area, drop by and see this artwork.  

Touchstone Gallery
901 New York Ave, NW
Washington, DC 20001

info@touchstonegallery.com
TouchstoneGallery.com
Wed - Fri 11-6; Sat-Sun 12-5




Out and Away Outstanding

With today being the final day of the month-long exhibit Outliers, have to say I've had the most fun with this solo than any other.  The final item in the Washington Post coverage all month is this lovely notice in yesterday's print and online news.  Thanks, WaPo, for your ongoing support.



The outstanding service from Caton Merchant Gallery and Gallery Director Anna Mish ensured Outliers an out and away stand out exhibit.  Lots of wonderful collectors, friends, art enthusiasts, visitors, and artists dropped by to view the show.  Take a look at the thoughtful, observant comments from visitors made on this blog.



Leslie Nolan

From left:
Off-Kilter 84"x54"
Where Now? #8 36"x36"
Underground-Metro 48"x48"





Curating "Outliers"



Artist and Curator Leslie Nolan
 Distraction (left) and Dis Six

OUTLIERS
Caton Merchant Family Art Gallery
9419 Battle St
Manassas, VA 20110

March 28 - April 27, 2012

for more info: Anna Mish, Director 703-330-2787
center-for-the-arts.org - M-F 10-5; Sat 1-5

The genesis for the exhibit Outliers arose from the desire to depict people who have been stripped of pretense. They stand apart - raw and vulnerable - even in a group.  This makes them all "outliers." 

Distant and remote, emotions run deep.  A blur between the real and imagined, in their world stability is in danger.

Using all of my new "Dissed" series, I scoured other recent work that I thought would have a complementary feel. With a range of bold and graphic colors, difference in sizes from 10" x 10" to 84" x 54", and a change of shape including square and rectangular, the exhibit presents plenty of change-up to generate interest.

Unifying factors linking each piece with the whole:

ambiguity
uninhibited color
energy
emotion
loose brushwork

Continuing the vibrant, lively feeling, I planned to pair large pieces with very small ones.  Gallery Director Anna Mish did a fabulous job placing and hanging the artwork. Every viewpoint is dynamic. Colors weave throughout the space.  The exhibit seems to dance. 

Hope you enjoy it!



Displacement



Distant



Dissent (left) and Where Now? #3

New Press Coverage for "Outliers"


This Washington Post item in the Local Living, Going Out Guide, helps spread the word about "Outliers" at Caton Merchant Family Art Gallery, Manassas, VA. So does the notice below from Washington, DC artist and art blogger Anne Marchand.

Friday, March 30, 2012

March 28 – April 27, 2012

Leslie Nolan's show, Outliers, features a riot of striking color with graphic punch to make personal contemporary imagery. Anything but tame, her figures convey raw emotion. “I'll do anything to create a mood,” says Nolan, skewing the form of the figure by abstracting features and using pulsating color.

For more information contact Anna Mish, Director
CATON MERCHANT FAMILY ART GALLERY
9419 Battle St
Manassas, VA 20110
703.330.2787

Creative Juice Behind "Outliers" Exhibit



With one week left to view my solo exhibit at Caton Merchant Gallery, thought I'd share some of the creative inspiration that generated Displacement, the artwork above used in the gallery's publicity materials.

"If you know exactly what you are going to do,
what is the point of doing it?"
-Pablo Picasso

First, I like to have an idea in mind. For this painting, the idea was to create a feeling of being overwhelmed. Using my husband as a model, I posed him and sketched loosely his upper body, placing it low on the canvas to give the image weight and interest.

Second, bold color combinations inject a sense of dynamics and urgency into the image.

Third, using large brushes forces me to avoid details which would spoil the spontaneous, gestural look I am after.

Last, I deviate from the plan to impart a feeling of spontaneity that lets the painting go. At this point, I'll do anything to create unusual rhythm and excitement. When I step back to look at the painting, it should be something completely new. If it looks like work I've seen before, it's not finished.

Review of Displacement by RTunes68 from 7/14/2011

Recently, I attended an opening for Art Deck-O at the Touchstone Gallery in Washington, DC.  While I enjoyed many of the works in the show, what literally stopped me in my tracks was a piece that wasn’t even part of the exhibit – Displacement, by the Virginia-based artist Leslie Nolan.

Nolan says her works “explore emotional themes through figures and landscapes to convey the energy and spirit of modern life.”

The dramatic contrast between Nolan’s use of vibrant colors and the pensive mood of her subjects is visually stunning, moving…and all too relatable emotionally.

Check out Nolan’s Web site to see more of her art.  It’s masterful work.

5 Questions With The Artist
What’s your comment on modern life, as conveyed through your paintings – good or bad?

Rather than "good or bad," I feel modern life is complex and difficult.  Sometimes the fast pace of life, competitive working environment, and worries over finances and personal relationships can be overwhelming.  I try to convey that complexity by infusing a feeling of aloneness, anxiety, and confusion in my new painting series called Dissed.  The idea is to interject emotion into the subjects' physical stance and facial expression, allowing the viewer to interpret the ambiguity.

There seems to be a sense of isolation and restlessness - particularly in the Dissed and What’s To Come? series - that practically jumps off the canvas.  Would that be a fair characterization?

Yes, your comment is right on target.  These paintings are all about feelings involved in trying to cope.  There are so many expectations and worries in modern life.

You’ve studied with a number of artists. Were there any who particularly influenced your work? If so, how?

Maryland artist "Skip" Lawrence influenced my work tremendously.  He encouraged me to make paintings that are both personal and about ideas.  In doing so, I've found that the passion I interject into paintings about my own life and feelings resonates strongly with viewers.  The worst thing that can be said of an artwork is that it's boring – I try to be completely unique and honest, and that tends to be the opposite of boring.

Have your travels abroad affected your work? Again, if so, how?

Travel and work have been critical to my development as an artist.  I spent years at CIA, the U.S. Information Agency, and State Department doing national security work – keeping secrets, living in and traversing dangerous locales.  The need to be secretive and surviving alien cultures has had a long-term personal impact.  Things are not always what they seem.  Ambiguity rules.  I think these emotions continue to permeate my artwork.

Who are your favorite artists, and are there any contemporaries you particularly admire?

Favorite artists – Richard Diebenkorn, Nathan Oliviera, Kathe Kollwitz, Amy Sillman.  Touchstone Gallery has a particularly talented, uniquely creative stable of contemporary artists and I am proud to exhibit my work alongside them.

"Outliers" and Poetry



Discomfitted
24" x 24"
acrylic on canvas

This artwork, now on display in my exhibit "Outliers" at Caton Merchant Family Art Gallery, was chosen by the Lascaux Review to accompany a poem by Luke Patterson.  Check it out -
 

Prone to Manic Episodes After a Motorcycle Crash

by Luke Patterson

he was twenty years old with dark eyes.
I will write patient suffers from
paranoid delusion in my run report
and later just call him crazy

to my partner as we smoke cigarettes
outside, drinking diet coke from the EMT
room and thinking about how the post-
surgical degeneration of his left arm

has made it look disparate, a foreign limb
hanging opposite the muscular uninjured right.
I note also the lateral anterior suture on the frontal
cranium that rises in a pale crease of (scar) tissue

just above mistrustful dark eyes. I will later
resolve to never buy a motorcycle,
as we drive bright and loud
toward other eyes, other scars,

the city surrounding us, pressing
up tight against ambulance doors.


The good people at Lascaux Review had recently seen this work, liked it, and contacted me for permission to use it.  See for yourself if the poem and artwork make a good fit.  I think so.

http://www.lascauxreview.com/2012/04/prone-to-manic-episodes-after.html

Washington Post Coverage of Dispute

The piece below, Dispute, is also on exhibit now at Caton Merchant and was featured in the "Washington Post" in the Feb 24, 2012 Weekend Section Going Out Guide.  See the piece in person at the gallery.





Dispute
24" x 24"
acrylic on canvas






Opening Night at Touchstone Friday


I'll be at Touchstone Gallery's opening this Friday night with the artwork shown below, part of my "Underground" series.  If you can, stop by, see me, and join the festivities.  It should be a super event with solo artists Elena Tchernomazova and Bill Mould, both three-dimensional ceramic artists.

Friday, April 13
6-8:30
Touchstone Gallery
901 New York Ave.
Washington, DC

info@TouchstoneGallery.com



Underground #9
36"x36"
acrylic on canvas

"OUTLIERS" at Caton Merchant Family Art Gallery

If you haven't managed yet to see my ongoing solo show at Caton Merchant Gallery in Manassas, VA, there's still plenty of time to catch it.  I've gotten some really nice comments from visitors about the space and artwork.  It's a lovely drive, with quaint old town Manassas as the destination. 




"Outliers" is Lookin' Good



Artist Leslie Nolan with Dissent (left) and Where Now? #3 (right)



"OUTLIERS"
at this beautiful space

Caton Merchant Family Art Gallery
9419 Battle St
Manassas, VA 20110
703.330.2787

center-for-the-arts.org






Crave an Exhibit? Check "Outliers"



The gorgeous, sleek Merchant Caton Family Art Gallery
My show, "Outliers," stands out in this superb space.

9419 Battle St.
Manassas, VA 20110
March 28-April 27, 2012
M-F 10-5;Sat 1-5




The artist with "Distraction" (left) and "Dis Six" (right)




Drop By and View "OUTLIERS"